Majrooh Sultanpuri Shayari - Ghazal | मजरूह

Ghazal e Shayari por Majrooh Sultanpuri मजरूह सुल्तानपुरी शायरी ग़ज़ल

Majrooh Sultanpuri: A lyricist who wrote for every mood, every genre

Majrooh Sultanpuri was the first lyricist who was given the Dadasaheb Phalke Award. He created songs for many moods and emotions. Most lyricists together couldn’t have done this

मजरुह सुल्तानपुरी (1 अक्टूबर 1919 − 24 मई 2000) एक भारती उर्दू शायर थे। हिन्दी फिल्मों के एक प्रसिद्ध गीतकार और प्रगतिशील आंदोलन के उर्दू के सबसे बड़े शायरों में से एक थे

मजरूह सुल्तानपुरी : जिनके गाने सहगल ने गाए और सलमान ने भी

मशहूर शायर मजरूह सुल्तानपुरी हिंदी फिल्म उद्योग में सबसे लंबे समय तक सक्रिय रहे गीतकार भी थे

Majrooh Sultanpuri, born Asrar ul Hassan Khan (1 October 1919 − 24 May 2000), was an Indian Urdu poet. He is known for his work as an Urdu poet, and as a lyricist and songwriter in the Bollywood film industry, where he wrote Hindi-Urdu lyrics for numerous Bollywood soundtracks.

He was one of the dominating musical forces in Indian cinema in the 1950s and early 1960s and was an important figure in the Progressive Writers' Movement. He is considered one of the finest avant-garde Urdu poets of 20th century literature.

In his career spanning six decades, he worked with music directors, from Naushad, Madan Mohan, S.D.Burman, Roshan, Ravi, N. Datta, Shankar-Jaikishan, O.P.Nayyar, Usha Khanna, Laxmikant Pyarelal, Anu Malik, R.D.Burman, Rajesh Roshan, Bappi Lahiri, Kalyanji-Anandji, Anand-Milind and Jatin-Lalit, to Leslie Lezz Lewis and A.R.Rahman. He won the Filmfare Best Lyricist Award in 1965 for "Chahunga Main Tujhe" in the film Dosti, and the highest award in Indian cinema, the Dadasaheb Phalke Award for lifetime achievement in 1993. In the 1980s and 1990s, most of his work was with Anand-Milind, their most notable collaborations being Qayamat Se Qayamat Tak, Lal Dupatta Malmal Ka, Love, Kurbaan and Dahek.

He also wrote timeless classics with Jatin-Lalit for films like Jo Jeeta Wohi Sikander (including the song Pehla Nasha) and Yaara Dildara (including the song Bin Tere Sanam), which are still heard to this day on the airwaves

In 1945, Majrooh visited Bombay to attend a mushaira at the Saboo Siddique Institute. Here his ghazals and poetry were highly appreciated by the audience. One of the impressed listeners was film producer A.R. Kardar. He contacted Jigar Moradabadi who helped him to meet Majrooh. However, Majrooh refused to write for films because he didn't think very highly of them. But Jigar Muradabadi persuaded him, saying that films would pay well and would help Majrooh to support his family. Kardar then took him to music composer Naushad who put the young writer to test. He gave Majrooh a tune and asked him to write something in the same metre, and Majrooh wrote Jab Usne Gesu Bikhraye, Badal Aaye Jhoom Ke.... Naushad liked what he wrote and Majrooh was signed on as the lyricist of the film Shah Jehan (1946). The songs of the film became so immensely popular that K.L. Saigal wanted Jab Dil Hi Toot Gaya to be played at his funeral.

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